The “Jekyll and Hyde” of the lens world, Supers are effectively two looks in one lens body. Stop down to T2.8 and above, they’re super sharp, contrasty and crisp. Open them all the way up to T1.3 and they soften beautifully and knock the edge off the contrast.
Cooke Optics’ brand new, yet wonderfully old, prime lens set. The PANCHRO/i Classic lenses are based on the original optical design first introduced in the 1920s, but updated with modern housings.
All the glory of the “Cooke Look”, perfect for period drama, with the addition of characterful blue anamorphic flares. These lenses are like no other.
With bags of Cooke character (great for filming people and period drama), the Mini S4/i lenses are small, lightweight and budget friendly.
Arguably the most technically proficient lenses available today, the Master Primes really do live up to their name. Super fast, no breathing, very little flaring, these lenses present the world without forcing a character upon it.
The Arri AMIRA. Everything the Alexa sensor offers, and arguably THE best camera body for handheld work.
The Arri Alexa Mini. There’s not much to be said really, it’s the industry favourite for a very good reason. Small, lightweight, robust, and of course, that wonderful Arri skin tone and high-light rolloff.
Teradek Bolt Pro 2000 Transmitter and Receiver Set – Uncompressed Wireless HD Video Transmitter and Receiver Set – 2000ft
To create the lightest matte box possible, we stripped it down to the core. Almost weightless. Misfit Atom gives you more possibilities than ever before.